Monday, April 2, 2012
The building was once emblematic of Joburg’s cycle of decline. Housing this exhibition marks the beginning of its regeneration and appropriation as a cultural art institution – it will be called the Museum of African Design, Moad for short – providing yet another playground for the city’s arts community and followers, who have been encouraged by the likes of Liebmann to reclaim pockets of the city.
It makes perfect sense that the Trinity Session’s exhibition, On Air Review, be held in a building on the cusp of a cycle of renewal; its work over the last six years has been focused on driving, managing and implementing public art in the inner city as part of scheme to regenerate it. The most recent contemporary art initiatives by the duo that make up this collective now, Stephen Hobbs and Marcus Neustetter, deal with this liminal period of transition when a building or place exists between two points of its evolution and how this impacts on identity.
Entracte (2010) was part of a project in Dakar, Senegal, that centred on a dilapidated building earmarked for demolition because it was deemed unfit (by Western standards) for habitation, according to a prescriptive set of rules. The artists were struck by the irony that the inhabitants were maintaining a construction that was slowly disintegrating and would be demolished. In response to the unseen future and past of the edifice, the duo laser-projected images evoking these states onto its exterior. Filmed footage of this “performance” is projected onto a screen hanging in the cavernous interior of Moad, among other screens showing these ephemeral works.